Avant Garde Movies

(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly...

This is an abstract film of a dream. It is a dream of paranoia, schizophrenia, manic-depression, and anxiety.

In What’s Ours and What We Are, images, motifs and words that originally served a particular political agenda are playfully manipulated to...

"Shiloh Cinquemani works wonders simply by framing flowers in “Narcissi” and “Rose.” Her delirious flux of glances...

This film is constructed upon the visual poetry between what you hear and see, and a sensual fluidity that is not based on the cause and effect...

A psychedelic journey reproducing in sound and images the hallucinogenic experience of an acid trip, mixing original video with images taken from TV...

An essay on the brutality of beauty and innocence in a hostile world.

For Barbara Figueroa

"This film was part of my thesis presentation at Chelsea College of Art in 1969. It expresses my interest in the human form and how two human forms...

Common Mistakes uses four synonyms for the word "mistake" (fallacy, error, accident, and blunder) to present a sample of widely held "truths" that...

An avant-garde film presented as part of an exhibit at the Museum of Modern Art. From MoMA's catalog: "For the monumental installation Play Dead;...

In Pareidolia, analog abstract patterns made on 16mm film are used as source material for finding similar figurative images, interpreted by an online...

A correctional officer’s daily routine of gaining access into a correctional facility.

From Pompeii to Xenia puts in echo times of innocence struck by disaster: the lightning tornado which had beaten down on the American city of...

An outcast girl makes an interesting conversation with a peculiar boy.

Filmed in London, sent to Paris. For Helga Fanderl. "Dear Helga, today I have recieved a postcard from Chile. Shaking folds and tearing invisible...

Filmed in Zürich. For Sofía Verder "As if I had the intention to narrate things, I have saved a considerable amount of notes and...

It’s any day, any year in the house of Alan and Vera Ellis in their Post-Industrial English conurbation formerly known for their world renown...

One room, two half bodies, a silent relationship.

Architectural distortions of the second city.